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Exoskeletons are external, and are found in many invertebrates; they enclose and protect the soft tissues and organs of the body. Chondroitin sulfate is a sugar made up primarily of oxygen and carbon. We may use remarketing pixels from advertising networks such as Google AdWords, Bing Ads, and Facebook in order to advertise the HubPages Service to people that have visited our sites. The heart and lungs are located within the thoracic cavity, and the vertebral column provides structure and protection for the spinal cord. Performance and security by Cloudflare, Please complete the security check to access. This is used to provide data on traffic to our website, all personally identifyable data is anonymized. Culture refers to the cumulative deposit of knowledge, experience, beliefs, values, attitudes, meanings, hierarchies, religion, notions of time, roles, spatial relations, concepts of the universe, and material objects and possessions acquired by a group of people in the course of generations through individual and group striving. Therapeutic Anthropology and Culture Consciousness. 8. Biblical Theology Bulletin: Journal of Bible and Culture. Thanks to the author, it'll helps me a lot in my exam.
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Mshairis poem is called The Line, a reference to the railroad tracks just half a block down Greenwood, which have served as the demarcation point between North and South Tulsa between the black world and the white one for more than a century. On this evening 97 years ago, thousands of white Tulsa residents crossed those tracks and launched a night of terror that would leave more than 1,200 of Greenwoods homes and businesses destroyed, hundreds of black residents dead, and a thriving community burned to an ashen heap. According to eye witness accounts, the scope of the attack was equal to warfare: homeowners shot dead in their front yards, planes dropping turpentine bombs onto buildings, a machine gun firing bullets on a neighborhood church. It was a living nightmare, and for many decades Tulsa treated it as such, a dark apparition of the mind that might fade from memory so long as it was repressed. Before its burning, Greenwood Avenue had been lined with hotels, restaurants, furriers, and even an early taxi service using a Ford Model T. Nearly 200 businesses populated the 35 square block district in all, as did some homes as stately as the ones owned by upper class whites in the city. That was the vision Mshairi conjured when he invoked Wakanda, the Afrofuturist utopia in Black Panther. Before it became a nightmare, Black Wall Street was a dream in progress, a symbol of black success in a turbulent period of racialized violence. We were standing at the heart of a great contradiction, a deeply American paradox of hate and hope. And yet that evening, on that block, few people seemed to care. Hundreds of Tulsans were walking past us and into ONEOK Field, the art deco stadium built just off Greenwood Avenue in 2010. The Tulsa Drillers were playing the San Antonio Missions in Double A baseball. Tulsa is different from other cities that were sites of a great racial cataclysm. Richmond, Virginia, the former Confederate capital, which boasts majestic Rebel statues, is in a constant public debate about its tainted Civil War heritage. Selma, Alabama, where an attack on peaceful marchers became a flashpoint in the civil rights movement, has a commemoration every year that regularly attracts sitting presidents. But Tulsas massacre happened in a time that we dont talk about, when black independence and white resentment collided in an especially violent way. It upends the history lessons that Americans pass down that black people were passive victims from the slave ships to the I Have a Dream speech, that white violence was the unique dogma of church bombing extremists. Black Wall Street scrambles the accepted timeline so much that its easier to forget the place ever existed. So in Tulsa and elsewhere, it endures as a hazy myth, a vague memory that flickers in and out of the national consciousness. Until this year, there was no specified curriculum for teaching it in Oklahomas schools, let alone in other states. The district is not listed on the National Register of Historic Places. And there are no major movies or television series depicting the events that transpired there, despite a recent spate of projects about the black experience in both the antebellum and civil rights eras, including The Birth of a Nation and Selma. Tulsa lawmakers and historians say the time has come for the story of Black Wall Street the good and the bad to get the same kind of national exposure as the Nat Turner slave rebellion or the Bloody Sunday Selma to Montgomery march. Some in Hollywood think so, too, with prominent entertainers such as John Legend and Oprah Winfrey planning to bring Greenwoods history to television. But the effort to see Black Wall Street reimbursed, revitalized, or at the very least remembered has been a struggle since the killing ended and the smoke still darkened Tulsas skies. To turn that tragedy into triumph, we have to tell the story thats uncomfortable for some but important for the rest of us, says Kevin Matthews, an Oklahoma state senator and North Tulsa native.